Our present is haunted by our past.

I make intimate work that examines today’s big issues, such as addiction, insomnia, women's rights and our suicidal relationship with nature.  I use the distinctively fragmented nature of stained glass to express deep anxieties,  exploiting the tension between the sacred and the unexpected, at a time when the end of the world feels closer than ever.

I've recorded ten albums over 30 years and I'm currently developing an immersive stained glass installation incorporating audiovisual and performance elements.